In doing so, she takes long walks and explores her home island and others in the grouping. Liptrot obviously struggles to find meaning and purpose for herself, and to really live each day, rather than just trying not to drink. As she comes to terms with sobriety, she finds herself attempting to accept life without alcohol, working to sever the neurological connections that have been built up over years of drinking.
Liptrot describes this windswept and severe setting with great skill, making the cliffs and sea come alive, painting the summer's night-less sky with magic, and introducing us to the solitude and camaraderie of these lightly populated places (where wildlife often outnumbers people). Where this memoir does stand out from others is that her recovery is played out in the landscape of her childhood - the Orkney Islands off of Scotland. For her, her drinking started out in the normal range for her age and social circle but became more intense, less controlled, and eventually wrecked her relationship with a boyfriend, made her job untenable, led to a series of incredibly reckless encounters, and finally forced her to face the fact that she needed to get help. Likewise, Liptrot suspected that she might have some of her father's manic and depressive tendencies. For Liptrot, she hailed from a family where her father struggled mightily with mental illness and was often at odds with her evangelical mother. Then again, each person is individual and the vagaries of life that led them to the substance they come to abuse are different. In many ways, addiction stories are similar, with lives spiraling out of control, friendships tested, health endangered, and usually an undercurrent of trying to escape the traumas and disappointments (whether big or small) of life. Much here is not new, though it is rendered in lovely prose. A thoughtful memoir recounting the author's alcoholism and journey to sobriety, made even better by a stellar narration.
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